

wcia 3 champaign, wicd 15 champaign, wand 17 decatur, wics 20 Springfield, week 25 peoria, whoi 19 peoria, wmbd 31 peoria, wyyz 43 Bloomington, wbln, wtvh, wirl, wrau, wtvp, wdan, classic tv, central Illinois tv, radio, automation,

Midwest Legendary Radio Stations
These are the big market stations I listened to. From Chicago to St. Louis, these
were the ones which impressed me in my radio formative years.
KADI (FM) 96.3 St. Louis, Missouri



Here are some examples of the promotional material from KADI. Including a large poster for "The Rock of St. Louis" along with an ad published with a picture from "Casablanca" and a KADI bumper sticker.
(pictures from the Doug Quick Collection)
KADI began its history as an easy listening AM/FM combo known as the "KADI-twins." Local businessman Richard Miller owned KADY(AM) and KADI(FM). Under his ownership, the format changed several times from the late 1960s through the 1980s. It was said to be the most successful when it was "progressive rock" during the 1970s. The station was the first FM station in St. Louis to meet with any rating success during the period. It was also a great alternative to KSHE, which was a bit more "hard" than KADI. It had a free-form format, which didn't shy away from playing a top 40 song if it fit the criteria for being a good song. Artists like Seals and Crofts and America fit right in with Uriah Heep and Pink Floyd. It probably was best described as a "superstars" music format within a progressive presentation.
Personalities included Radio Rich Dalton, Mike Lee, Sam Kaiser, Melissa Knight, to name but a few. Features like the "KADI free classifieds" and the weekend oldie show on Sundays, followed by Wolfman Jack, were right up there in reaching the 18 to 34-year-old audience at the time.
KADI also tried to market its logo during the 1970s with key chains, t-shirts, and bumper stickers, much like KSHE. KSHE was probably more successful as it appealed to the "bad boy" demographic, who were more likely to display KSHE logoed clothing and bumper stickers(see KSHE below).
Sometime in the late 1970s, KADI suffered a fire that put the station off the air for a time. It later returned to the airwaves, broadcasting from a studio on loan from KSLQ(see below). KADI was to later transition to an adult contemporary format, with tightly formatted music and highly structured during the 1980s.
During the late 1980s, the call letters were changed to KRJY, Joy 96, and J-96. Miller eventually sold the station to Heritage, where the call letters were changed to KIHT, K-Hits 96, with the Greatest Hits of the '70s. It was later purchased by Sinclair Broadcast Group (yea, that one), where it went to a classic hits format of the '60s-'80s. Emmis took ownership from 2000 to 2018. It remained KADI (FM) through 1987, before becoming KRJY from 1987 to 1994, playing oldies as "Jukebox 96." It returned to an adult contemporary format in 1994 as KIHT "Hits" then KNOU from 2015-20. It's now WFUN, 96.3 "Fun for the Lou" and features an R & B format. Audacy, Inc. currently owns it, and it is a sister station to KEZK-FM, KFTK-FM, KMOX(AM), KYKY(FM), and WHHL(AM).
Here's an aircheck from one of my favorite stations in St. Louis in the mid-'70s with Sam Kaiser. It was a great progressive alternative to KSHE and the typical top 40 stations in the market. It was a much softer, easier-to-listen-to progressive format. With the likes of Seals and Crofts, CSN, Gordon Lightfoot, and other superstars of the 70s, the station probably appealed to a more mature top 40 audience, probably burnt out by the likes of KSLQ(FM) at 98.1 and KXOK(AM) at 630 KC.
(YouTube)
Thanks to consultants, this is a once-great radio station reduced to a shell. It's obvious. Sure, there's nothing wrong with how it sounded here in 1986, but the free-form style that attracted me was gone. Maybe it was the '80s music....it's no wonder it didn't work. Here's KADI(FM) from June 11, 1986.
(YouTube)

August 1971 Ad

St. Louis Dial Card from KADI

Early 1970s, "Where Rock is Going"

August 1971 Ad

Here's Mike Lee, the most "laid-back" DJ I've ever heard, from the evening show of January 27, 1974. The Rock of St. Louis has a mellower sound than that of KSHE.
(YouTube)
This audio was recorded on May 31, 1977, from my hometown of Taylorville, IL. The KADI transmitter/tower was located 104 miles away, and with the station's 100,000 watts, it would reach southwest Taylorville on a good night. The jock is Melissa Knight.
(YouTube)
By 1977, KADI began to suffer from a lack of direction. Was it an album-oriented, soft rocker, or oldie station? Sunday's programming included the syndicated Wolfman Jack Show, heard here, followed by a local oldie show. There's also a promo for a Saturday evening oldie show.
(YouTube)




Sources:
St. Louis Media History Foundation
St. Louis Flashback/YouTube Channel
Pictures and music survey's from Pinterest
YouTube contributors
Wikipedia
KSHE (FM) 94.7 Crestwood, Missouri



Pictures of staff above, studios right, and artwork above were collected from Pinterest. If they belong to you, let me know via e-mail response on the home page and I'll give you photo credit.

KSHE began broadcasting from the basement of a house in Crestwood during the mid-1960s. It featured an MOR format designed to appeal to females, which is where the call letters came from—K-SHE.
In the late 1960s, the station began to swing its format to what was called "underground rock" or "progressive rock." In an effort to appeal to those, particularly male members of the audience, who were not fans of the top 40 formats of KIRL and KXOK, KSHE chose an album-oriented format in which artists who were virtually unknown were featured. The format was guided by Ron Elz, who was one of at least several people who played the KXOK franchise jock "Johnny Rabbitt. The format has proven successful since around 1970, with very few changes, other than the natural changes in music over the years.
The station wrote the book, or so it seems, on media marketing and media branding. KSHE probably made a fortune selling products with its logo on them. Keychains, t-shirts, hats, bumper stickers, you name it, were all sold by the station at various outlets, from the malls to Six Flags. I have seen K-SHE bumper stickers with "Sweet Meat"(the pig) on vehicles from coast to coast. That's quite a reach! Hubbard Broadcasting now owns it.


Late 1960s, KSHE ad

The beginning of Real Rock Radio, late 1960s

from Rolling Stone Magazine, KSHE as Station of the Year

Late 1960s, KSHE ad

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Pick out a survey by clicking on it, then double click to enlarge, from there just advance by using the arrows

Missouri's governor is set to honor St. Louis rock station KSHE 95 for serving St. Louis for over 50 years. This is from June 25, 2025. Click on the image above for a larger view.
(St. Louis Post-Dispatch from the Steve Rosen Collection)
This recording at the left consists of excerpts from a late Sunday night show on KSHE that was simulcast with KDNL, Channel 30, in St. Louis, back in that TV station's early days as a UHF independent. The show was called "Tube Trip," and the FM simulcast would be able to broadcast the show in stereo
while watching it on Channel 30.
It featured the jocks talking together around music videos or clips from live performances of the artists. In 1971, this would have been one of the first music video TV shows. These segments feature the KSHE jocks at the time, Rick Lee, Steve Rosen, Don Corey, Gary Bennett, and Prince Knight. The
show lasted about three months.
(Steve Rosen and Doug Quick's YouTube Channel)
For the first time, here's the actual full-length broadcast of KSHE from January 1974. It was recorded in my hometown of Taylorville, Illinois.
(Doug Quick's YouTube Channel)
This is a brief history of KSHE Radio's first 17 years, covering 1967-1984. It was produced by John Neiman.
(YouTube)
KSHE's John Ulett at the microphone on August 27, 1980.
(YouTube)
Do you remember when and where you first heard Pink Floyd's "Dark Side of the Moon" album? I do, and here is the actual recording of KSHE, when it ran back to back with "Remember the Future" from Nektar. That's when I first heard both albums, and they blew me away! I'm now, for the first time, sharing it with you from the actual broadcast on KSHE, 94.7FM, St. Louis!
(Doug Quick's YouTube Channel)
This is just a very short segment from 1982, with "the world's oldest Rock n Roll DJ" Ruth Hutchinson introducing her show for the night.
(YouTube)

Me in one of my KSHE shirts
from 1978.

My friend Steve Rosen featured in an interview as he remembers his time with KSHE-95.
(YouTube)
Talking with Steve Rosen

August 24, 2022- I had a terrific phone call with Steve Rosen during the afternoon on the date above. We talked about his early days at KSHE in Crestwood, and the rare opportunity for someone so young it was to work at the legendary radio station. He was fortunate enough to spend time at KADI and KSHE in the years from the late 1960s through the mid-1970s. He worked behind the scenes in television as a technical director and editor. He's even in the Rock and Roll Museum thanks to his efforts at KSHE and for the promotion of the various rock acts that passed through St. Louis during his tenure there!
Updated May 22, 2025- Steve's been around over the years. The former KSHE program director has also been a director for NBC, CBS, and ABC, a senior producer for iHeartRadio, and is now part of TheRoots.fm, a streaming radio service.

From the 1960s, here's KSHE DJ "Prince Knight" (from the Steve Rosen Collection)

Steve Rosen at the board, showing us the Gates Board with a couple of turn tables at KSHE in the late 1960s-early 1970s. (Steve Rosen Collection)

A recent picture of the KSHE staff from 1968. from the Steve Rosen Collection)

From the 1960s, here's KSHE DJ "Prince Knight" (from the Steve Rosen Collection)
KSLQ (FM) 98.1 St. Louis, Missouri



KSLQ promotional material collected over the era.
An "I Q in my car" bumper sticker along with a booklet with the KSLQ top 300 songs from Spring of 1974
Plus a listing and schedule of "The Breakfast Serial" an edited series of old radio shows which were part of the morning drive on KSLQ.
(from the Doug Quick Collection)
Originally, KSTL-FM was part of the KSTL AM and FM combo. The original AM station went on the air in 1948 from studios at the American Hotel at 7th and Market in downtown St. Louis. The format was called "a wide range of recorded music with no hillbilly numbers or hot jazz....and less Yakety yak."
In 1960, KSTL had an FM sister station at 98.1 and 76,000 watts. AM and FM were simulcast operations from a transmitter site in East St. Louis. Around 1967, the station was sold to Foreground Music, Inc. It's unknown what the format was then, but by the early 1970s, the station was sold to Bartell Broadcasting, which changed it to a Top 40 format with a call letter change to KSLQ, or Super-Q. The studios by then were located in Clayton, and under Bartell, the station's power was increased to 100,000 watts.
KSLQ was pretty much why the AM Top 40 Giant KXOK began to lose its audience at the time. The format was a tight blend of pop top 40 hits and high personality jocks, with great jingles, promotions, and a processed sound which was far and wide better than the AM KXOK.
By 1979, the appeal of the top 40 began to weaken, and the competition from other contemporary stations doing more targeted formats began to take a toll. In 1979, the station switched to a lighter format billed as "between Rock and a Soft Place." By 1982, the call letters were changed to KYKY when it was doing a love songs format. Now, it's adult contemporary Y98FM, owned by CBS.

Promotional Card

Feb 8, 1974 music survey

October 10, 1974 music survey

Promotional Card
The premier Top 40 CHR FM station in St. Louis. This one is from December 1973. It was high energy, high personality, and jingles, and certainly more "hip" in the early '70s than AM rival KXOK.
(YouTube)
From 1976, here is a KSLQ radio montage, a sampling of the sounds of Super-Q from an entire day of broadcasting.
(YouTube)
This aircheck is from August 28, 1980.
(YouTube)
KXOK 630AM St. Louis, Missouri


The History of KXOK begins in 1936 as Elzey Roberts, the publisher of the St. Louis Star-Times newspaper, applied for a radio station for St. Louis after purchasing KFRU operating at 630 kHz from Columbia, Missouri. That St. Louis application was at 1250 kHz, but another application was filed for the frequency by Missouri Broadcasting, operators of the existing WIL Radio, which operated at 1160 kHz at 250 watts. Either radio station would be able to increase its power to 1,000 watts to achieve a more regional coverage area from that frequency.
After being challenged by WIL, six months after the application was filed, the Supreme Court ruled in favor of the Star-Times. On September 20, 1938, KXOK went on the air from the fourth floor of the newspaper's building in downtown St. Louis and a transmitter site near Venice, Illinois.
By the next year, KXOK would apply for the frequency of sister station KFRU at 630 kHz and move KFRU to 1370 kHz, operating at 250 watts. On October 26, 1940, KXOK would begin broadcasting at 630 kHz with a power of 5,000 watts, giving the station a regional coverage area.
Even after Elzey Roberts sold his Star-Times newspaper to the Post-Dispatch in 1951, he continued to own and operate KXOK until 1954, when the station was sold to Chet Thomas and Elzey Roberts, Jr.. He moved the studios from downtown to a location on Kingshighway near Forest Park and called the property Radio Park. In 1960, the station would change hands again, this time to Robert and Todd Storz. Storz Broadcasting quickly changed the station to a Top-40 format to compete with WIL Radio, which had already established itself as St. Louis' leading contemporary music and personality radio station.
Even though WIL had several top-flight announcers/DJs, KXOK took St. Louis by storm as its popularity faded into the 1960s. By 1967, WIL would become a country station.
KXOK in the 1960s had Davey O'Donnell, Peter Martin, Don “Stinky” Shafer, Nick Charles, Keith Morris, Ray Otis, Steven B. Stevens, Bob Shea, Robert R. Lynn, Richard Ward Fatherly, Nick Charles, and Johnny Rabbitt, among others. As the 60s brought us the British Invasion, KXOK became the Midwest Beatles station, as George Harrison's sister lived in St. Louis, and she would feed KXOK Beatles releases before anyone else. Johnny Rabbitt, played by Don Pietromonaco, and his sidekick, Bruno J. Grunion. Meanwhile, nighttime jock Johnny Rabbitt became a local celebrity with appearances throughout the city with local charity benefits and commercial appearances.
The format was unique, with a barrage of jingles, sound effects, and even music accompaniment during newscasts. It was fast and furious with live commercials, voice effects, and prerecorded promotional announcements. The station staff participated in benefit basketball games as the KXOK All-Stars throughout most of the 1960s and played school faculty throughout the listening area. I remember seeing them when I was in the 8th grade when the All-Stars played the Taylorville High School faculty.
From the early to late 1960s, KXOK became the leader among young radio listeners, while KMOX remained the station for the older generation. In fact, KXOK was one of the top independent radio stations in the country, with a regional signal that attracted listeners across much of the mid-Mississippi River Valley and into the Midwest.



This ad was from April 30, 1957, from the St. Louis Post Dispatch. Found on Penterest

This from the mid-1950s, shows a station promotion involving elephants!

KXOK Goes Top 30 with this ad from Jan 13, 1958

A sad day in 1997, a Post-Dispatch story marking the death of the KXOK superstar...

This from the mid-1950s, shows a station promotion involving elephants!
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Pick out a survey by clicking on it, then double click to enlarge, from there just advance by using the arrows
This is the KXOK Radio Story by Richard Ward Fatherly, KXOK Radio St. Louis, Missouri. This video features The Johnny Rabbitt Show. Richard Ward Fatherly was KXOK's production director, and he often did substitute work by doing DJ shifts on the air.
(YouTube)
The 1960s
From the 1960s a collection of KXOK jingles and images. From YouTube and St. Louis Flashback
(YouTube)
1961-0203 Peter Martin
(YouTube)
1963-0800 Ray Otis
(YouTube)
1963-0800 Shad O'Shea
(YouTube)
1964-1100 Ray Otis
(YouTube)
1965-1968 Johnny Rabbitt Show
(YouTube)
1966-Johnny Rabbitt Show-Batman Parody
(YouTube)
1968-0000 Johnny Rabbitt Show
(YouTube)
1968-0700 Johnny Rabbitt Show
(YouTube)
1957 Preview
KXOK The New Sound Preview and one of the first format flips to Top-30.
(YouTube)
1962-0000 Don Shafer
(YouTube)
1964-1100 Peter Martin
(YouTube)
1965/68 Johnny Rabbitt Show
(YouTube)
1965-1967 Ray Otis
(YouTube)
1966-0000 William A. Hopkins
(YouTube)
1966-0101 Johnny Rabbitt Show
(YouTube)
1967-0125 Johnny Rabbitt Show
(YouTube)
1972-1119 Lou Kirby
(YouTube)
1976 KXOK Composite Aircheck
(YouTube)
Sources:
Richie Kennedy/route56.com
St. Louis Media History Foundation
John J. Dunphy/The Telegraph of Alton, Illinois, July 7, 2013
Samantha Byrne Leyte/punkglobe.com
Frank Absher/video: “The Story of KXOK 630 AM Radio”
St. Louis Flashback/YouTube Channel
Pictures and music survey's from Pinterest
YouTube contributors
WFYR (FM) 103.5 Chicago, Illinois
This one, I believe is from 1977. Recorded at Macomb, Ill from Chicago. WFYR was a 3,000-watt station with an antenna on the Hancock. This is quite a haul to Macomb and is quite scratchy. But it is a solid ID. I first discovered WFYR in the mid-'70s and was blown away at the oldie's automated format. It was a terrific....great mix of '50s-'60s....and great thematic jingles. It may have been Drake Chenault, but I can't verify it. Crank it up, it's not very loud.




WIL 1340AM St. Louis, Missouri

When I wrote my book Pictures on the Prairie: The First Ten Years of Mid-Illinois Broadcasting, I found it difficult to confine the stories of the central Illinois stations to that region. I saw many connections to media companies outside the area, other broadcast stations, and those in central Illinois. Here is one example of such a connection.
The Balaban brothers, Elmer and Harry, were part owners of Plains Television Partners and WICS through the mid-80s and WICD from its beginnings with WCHU in Champaign and development into Channel 15 in 1967. During the early days of the company, in July of 1957, the Balabans purchased one of the major radio stations in St. Louis, WIL-1430 am (5-kW), as well as WWIL, 1580 AM (1-kW), Fort Lauderdale, Florida, for $650,000. The new company, Radio WIL, was purchased by Harry and Elmer Balaban and the Atlantic Brewing Company, each owning one-third.
At the time, the Balabans owned interests in WRIT(AM) Milwaukee, WI; WBMG(AM) Birmingham, AL; 50% of WTVO(TV) Rockford, IL; WICS(TV) Springfield, IL; and KFBI(AM) Kansas City, MO.
WIL was one of the exceptions for stations licensed for cities west of the Mississippi River, and it began with a "W" instead of a "K."
KMOX(CBS), KXOK(ABC), and KSD(NBC) were big stations during the early 1950s. Still, WIL was one of the heritage radio stations that adopted a popular music format, had great talent, and had lots of listener interaction. If you've been around a while, you might recognize the names of Gary Owens, Mort Crowley, Ron Lundy, and Dan Ingram, just to name a few.
Meanwhile, in 1957, KXOK made a change to challenge the popular music format of WIL. Most of the potential big-name talent would begin to bail out of the station, moving to major markets soon after. People like Dan Ingram and Ron Lundy went to WABC in New York and continued there for many years. Mort Crowley went to KXOK for a stint, then on to WLS during the 1960s. Gary Owens continued in radio moving to major markets including Los Angeles, where he would also do many commercial voiceovers and is probably best known as the studio announcer with his hand cupped over his ear, as he would introduce Dan Rowan and Dick Martin on "Rowan and Martins Laugh-In."
That was right before KXOK sold out to Storz Broadcasting. Soon after, Storz would pretty much "clean the clock" of WIL and, over a period of several years, force WIL to make a format flip to all news, eventually change again to country, and end up on its FM frequency, 92.3.
The Balaban Brothers simply let WIL gradually fall away from being the popular station it was in the late 1950s, leaving it to slowly die in the mid to late 1960s, before being sold. 1430-AM is now considered to be one of St. Louis' dead frequencies with no station assigned to it.
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WIL, St. Louis, Missouri - Jack Carney
Cruisin' was an American rock and roll and pop music sampler series covering 1955-1970, released by Increase Records, originally in the early 1970s on vinyl, and in 1993 on CD and audio cassette. The covers were stylized after the works of pop artist Roy Lichtenstein. The series was special in that each album purported to be an authentic, roughly 40-minute recording of a contemporary radio station from that year, complete with contemporary ads, station jingles, and a radio DJ from that era introducing each song, reading out local news, and inviting the listeners to join in competitions. Much of the music is NOT the original recordings. Copyright issues are the reason for the replacement of the original songs.
(YouTube)
1962-February 28 Bob Osborne
Bob was one of the early midday jocks who probably did double duty in production.
(YouTube)
1963-January 4 Ron Lundy
A wintertime air check with Ron Lundy.
(YouTube)
Sources:
Richie Kennedy/route56.com
St. Louis Media History Foundation
Pictures and music survey's from Pinterest
YouTube contributors
1961- 1961-undetermined date, Rockin' Robin Scott
This is the earliest real off-air recording of WIL that I can find on YouTube. There are probably others available in different audio formats.
(YouTube)
1962-February Ron Lundy
He was one of the major stars of WIL who would follow Dan Ingram to New York and WABC.
(YouTube)
1962-February 28 Bob Osborne
Bob was one of the early midday jocks who probably did double duty in production.
(YouTube)
1964-Fall Ron Lundy
Wintertime preparation commercials date this aircheck to the Fall of 1964.
(YouTube)
WLS 890AM Chicago, Illinois

WLS's early history can be traced back to when Sears-Roebuck put it on the air in 1924. By 1930, Sears decided to sell the station to an agricultural publishing company, Prairie Farmer magazine.
By March 20, 1960, Prairie Farmer Magazine signed the final sales agreement, and with the FCC's approval, the American Broadcasting Company-Paramount Theaters became the new owners of WLS.
Then, on May 2, 1960, the format changed to what was, at the time, a contemporary hit radio with high-personality disc jockeys. Within the format, news, weather, and information were presented between the popular music sounds taken from the top-40 charts.
The station's sound didn't change much, although the music did during the period. The Beatles and the British invasion changed that, and the top 40 charts started to see some of the more popular middle-of-the-road artists fall off. That also called for a change in the jocks' style and presentation. You'll note that if you review the airchecks below.
By the late 1960s, it became more of a true Top 40 rock station. The slogans like “Music Radio” and “The Rock of Chicago” began to re-image the station. The jocks were more loose in their presentations, included more comedy bits, and interacted with the audience.
By the 1970s, though, WLS began to lose its audience in Chicago and the outlying areas around Chicago as more local FM stations were taking on formats with more music and less talk. The music changed as well. As disco gained popularity, it chased the typical WLS listener to stations that didn't play that genre, including classic rock, oldies, and even country.
During the 1980s, it was business as usual early on, but by the mid-decade, things started to change. There were very different dayparts. Steve Dahl and Garry Meier joined WLS (from WLS-FM) in 1984 and left in 1986. Several talk shows cluttered the schedule throughout the era, leaving music as an afterthought.
There was a gradual decline in audience as the music played became more eclectic. Songs from Louis Armstrong would be followed by Led Zeppelin, for example. It seemed to me that the station was working to chase away the audience so that it could claim a large audience increase when it eventually went to a talk format. That happened on August 23, 1989. By 1992, the station bottomed out in the ratings.
ABC sold its collection of stations, including WABC and WLS, to Citadel Broadcasting in June 2007. Citadel was purchased on September 16, 2011.
The station continues with a talk and sports format and has fallen considerably in the market's ratings from its Music Radio days.
The last few rating periods have placed WLS at #28, with less than a 1-percent share of the market's radio listeners. The number one station, WBBM-AM, has a 5.7 share.

1941 WLS Moves Frequency to share with WENR

WLS 1948 Family Album, Prairie Farmer Magazine

John Gehron, WLS Program Director along with talent from the early 1980s. Tommy Edwards, Steve King, Larry Lujack, John Landecker, Bob Sirott, Yvonne Daniels and John Gehron.

1941 WLS Moves Frequency to share with WENR
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WLS MUSIC SURVEYS
1960-1981
Thanks to the Radio Timeline (radiotimeline.com) we present links to the WLS Music Surveys from the 1960s to 1981.
WLS 1960's Surveys
WLS 1971 WLS 1972
Pick out a survey by clicking on it, then double click to enlarge, from there just advance by using the arrows. OR, use the links below to find particular editions.
Here is the 2008 WLS "Rewind" Tribute, produced by Art Vuolo that rains during Memorial Day 2008.
(YouTube)
The History of WLS in less than 6-minutes.
(YouTube)
A sponsored film made for the Chicago radio station WLS as a promotional tool to sell airtime to advertisers. Includes scenes inside the studio with DJ Clark Weber, footage of the WLS programmer John Rook as he rides the train into the city from the suburbs, and shots of potential radio listeners amongst picturesque views of Chicago.
(YouTube)
Studio A profiles John Records Landecker from the late 1970s. This was a documentary film directed by James R Martin as an educational documentary. It was a top ten finalist American Film Festival.
(YouTube)
WLS Air Checks
Year-Month/Day Talent Name,
Full Aircheck-with music Aircheck scoped-edited music
Length of recording in minutes
Push "WLS logo" to go to YouTube Video
1962-0309 Dick Biondi Full Aircheck :57
1975-1229 Jeff Davis Aircheck scoped :13
1962-0502 Part 1 Dick Biondi Aircheck scoped :16
1975-1231 Oldie Montage with Jeff Davis Aircheck scoped :23
1962-0502 Part 2 Dick Biondi Aircheck scoped :31
1976-0000 Composite Fred Winston, Tommy Edwards, Bob Sirott, John Landecker, Steve King, Yvonne Daniels
1966-undetermined date/Part 1 Art Roberts Aircheck scoped:12
1976-0000 date undetermined John Landecker Full Aircheck :03
1966-undetermined date/Part 2 Art Roberts Aircheck scoped :10
1976-0418 John Landecker Aircheck scoped :40
1966-0909 Clark Webber Full Aircheck :45
1976-1202 Yvonne Daniels Aircheck scoped :17
1966-0909 Clark Weber Full Aircheck :43
1977-0618 Yvonne Daniels Full Aircheck 1:00
1967-0416 Art Roberts Full Aircheck 1:02
1977-0629 Larry Lujack Aircheck scoped :16
1967-0800 Ron Riley Aircheck scoped :10
1977-0831 Larry Lujack Aircheck scoped :11
1967-0825 Art Roberts Full Aircheck :47
1977-1000 (Labeled 1980) Larry Lujack Aircheck scoped :17
1967-Fall Ron Riley Aircheck scoped :09
1969-0102 Ron Riley Full Aircheck :45
1969-0103 Ron Riley, Dick Harley(news) Aircheck scoped :15
1970-74 Composite Aircheck Larry Lujack, John Landecker, Charlie Van Dyke, Yvonne Daniels, Bob Sirott, and others Aircheck scoped :43
1971-0503 Larry Lujack Aircheck scoped :28
1971-Spring News with Lyle Dean :04
1979-0700 Jeff Davis Aircheck scoped :09
1971-0600 J.J. Jeffrey Aircheck scoped :13
1980-0000 date undetermined Larry Lujack, Tommy Edwards(Animal Stories) :06
1971-0800 Larry Lujack Aircheck scoped :04
1980-0705 Tommy Edwards- Full Aircheck :50
1971-1200 Check Buell Aircheck scoped :04
1982-0100 Larry Lujack, Chris Shebel Aircheck scoped :12

BLANK
1982-0104 Larry Lujack, Chris Shebel Aircheck scoped
:20
1971-76 Fred Winston samples Aircheck scoped :40
1982-0100 Larry Lujack Aircheck scoped :27
1972-0129 John Landecker Aircheck scoped :13
1982-0903 Larry Lujack Aircheck scoped :23
1972-02-- Fred Winston Aircheck scoped :09
1982-1200 Brant Miller Aircheck scoped :04
1972-0000 Fred Winston Aircheck scoped :03
1982-date undetermined Tommy Edwards (mentioning stereo) :02
1972-0204 Joel Sebastian Full Aircheck :58
1983-date undertimed Fred Winston Aircheck scoped :06
1972-0226 Joel Sebastian Aircheck scoped :31
1984-0200 Larry Lujack Aircheck scoped :32
1972-0401 Chuck Buell Aircheck scoped :10
1984-0200 Larry Lujack, Tommy Edwards Aircheck :06
1972-0710 Bill Bailey Aircheck scoped :08
1984-0400 Chuck Britton Aircheck scoped :06
1972-1000 Bill Bailey Aircheck scoped :13
1984-1200 Fred Winston Aircheck scoped :09
1972-1010 John Landecker Aircheck scoped :12
1984-0900 Brant Miller Aircheck scoped :08
1973-0608 Bob Sirott (first day) Aircheck scoped :10
1985-0115 Fred Winston Aircheck scoped :10
1973-0300 Charlie Van Dyke Aircheck Scoped :09
1985-0329 Larry Lujack, Tommy Edwards Animal Stories :06
1974-0312 John Landecker Aircheck scoped :12
1989-0704 John Landecker Aircheck scoped :46
1975-0616 Bob Sirott Aircheck Scoped :11
1989-0727 Fred Winston Aircheck scoped :11
1975-undetermined John Landecker Aircheck scoped :03

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1975-0712 Yvonne Daniels Aircheck scoped :21

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1987-0900 Larry Lujack's next to last day, Aircheck scoped :03
Sources:
RadioTimeline.com
Broadcasting-Telecasting Magazine
Pictures and music survey's from Pinterest
YouTube contributors
Wikipedia
Honorable Mention of other Legendary Radio Stations
