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Automated Radio History

Drake-Chenault

Drake-Chenault logo



There were a number of stations during the 70’s and 80’s which were using the Drake-Chenault formats, including  the AC “Hit Parade”(later called “Contempo 300”) the Gold/Current Mix “Solid Gold”(later called Contempo 200”), the CHR “XT-40”, the Country “Great American Country”, the Oldies “Classic Gold”, the AOR XT-100.”  As far as I can remember here is a grouping of stations in Central Illinois and a few from surrounding areas using each of the Drake formats. Not many of them continued with Drake-Chenault formats past the early to mid 1980's, having changed to live programming or to satellite networks. Drake-Chenault was sold to Wagontrain Enterprises in 1986 and the operation was moved to Albuquerque, New Mexico.  Iin 1989  it was purchased by Jones Radio Networks in 1990 and moved to Denver.  It operates today as part of the Jones Radio Network which along with other music services, formats an array of radio station formats via satellite which are broadcast by stations across the country, under the guise of being a local station.


In memory of Bill Drake who passed away on Saturday November 29, 2008

In memory of Gene Chenault, who passed away on February 25, 2010



Above left is a picture of a typical Drake-Chenault furnished 10 inch reel, which probably contained current selections.  It was not unusual to have a partially filled reel of tape which could have held as few as 6 songs, or as many of 15.  The planned rotation of current music was very tightly controlled by Drake, although it was up to the individual station to maintain the format.  This particular reel was from the "Solid Gold" format, which would feature current selections, although the main theme of the format was oldies from the 50's, 60's and 70's. 



Drake-Chenault's "Hit Parade"
later called "Contempo 300"
"bright contemporary easy listening/MOR for today's 18-49 year old" 
on 50 AM and FM stations
voiced by Charlie Van Dyke and Jim Carson
WLRW-Champaign(early 70's)
WHTT-Quad Cities(late 70's)
Drake-Chenault "Hit Parade"

Drake-Chenault Intro and "Hit Parade" format sample

Drake-Chenault's "Solid Gold"
later called "Contempo 200"
"best of the oldies along with today's top contemporary hits, selected by Bill Drake and his programming staff.  It's a heavy gold modified top 40 format which zeroes in on the crucial 18-34 demographic"
voiced by John Leader, Billy Mitchell
WLRW-Champaign(mid 70's)
WBNQ-Bloomington(mid to late 70's)
WDBR-Springfield(1972)
WWTO-Peoria(early-mid 70's)
Drake-Chenault "Solid Gold"Drake Chenault "Solid Gold" format sample

Drake-Chenault's "XT-40"
"proven Bill Drake approach to top-40, fast paced contemporary-a winner on either AM or FM the clean uncluttered sound of today!"
voiced by John Leader, Billy Mitchell
WBNQ-Bloomington(mid-late 70's)
KGRS-Burlington, Iowa(mid-late 70's)


Drake-Chenault's "Great American Country"
"the best country music ever recorded appealing to the 25-49 year old."
voiced by Bob Kingsley
WCCR-Champaign(unknown)
WIL-FM-St. Louis(mid 70's)



WBOQ-Terre Haute, Indiana(late 70's)


Drake-Chenault's "Classic Gold"
"the greatest hits of all time...all the time!  Flexible, evolving... Classic Gold covers the years 1955 to 1972 in phases, linked to your market needs!"
WFYR-Chicago(early 70's)
WLBC-Muncie, Indiana(mid 70's)


NOW FOR THE FIRST TIME!!!!  Drake-Chenault's "THE GOLDEN YEARS" hosted by Robert W. Morgan.
This demo was "lost" for years.....now a special music/history radio program which would highlight an individual year, is unearthed for you to check out.  This sample demo includes a segment from the year 1965.....
Unknown
Drake-Chenault "Solid Gold"

Drake Chenault "The Golden Years-1965" special program demo

The History of Rock and Roll

Drake-Chenault was based from 8399 Topanga Canyon Road, Canoga Park, CA 92304.  Their phone number was (213) 883-7400.  Sales material from them stated their "formats are designed to be run on standard automation equipment readily available from several manufactures.  A basic system sufficient to run the complete formats, 24-hours a day, can be purchased for as little as $18,000 or leased for as little as $425 a month."

It was great to get more information by e-mail from Denny Adkins, who was the "original"  PD of WBNQ when it went with the "Olde Golde"(from Draper-Blore) format in August of 1972 and left to work for Drake Chenault in 1976.  He was President of Drake-Chenault when he left the syndication company in 1987.

Drake-Chenault also produced the long form program "The History of Rock and Roll."  The special was a 52-hour program narrated by Bill Drake and  researched, written and co-produced(with Bill Drake) by Gary Theroux.  I heard from Gary, who told of his experiences at Drake-Chenault.  He explained that "The History of Rock and Roll" debuted on more than 400 stations in the U.S. and over 400 stations overseas and won Billboard's "Top Special Program of the Year" award.  He also explained how the 52-hour program was broken down into "modules, each designed to focus on and spotlight a particular genre, or in some cases, a key artist in rock history."  The "modules were presented, more or less chronologically, starting in the early '50's(prior to "Rock Around the Clock") and running through to what was current in the year the program was produced: 1978."  Gary also designed each hour of the show to stand on it's own which would allow

stations to strip the show throughout the week, and use any number of hours each day.  Gary went on to describe the show as taking the approach of a "reporter" not a critic, and tried to have the individual artists tell their story as much as possible, using the narrator Bill Drake to tie each story or items together.  It was Gary who did chose to end the series with the Number One montage of all of the number one hits of the rock era.  The time sweep is available at  Reel Radio .  More on Reel Radio later.


Gary also told of the situation of his leaving the company, not by his choice, but by the choice of a former GM of Drake-Chenault.  Gary's leaving the company, angered Bill Drake and Drake made a move to bring Gary back into the fold.  By then, though, Gary accepted an offer to teach music and entertainment history at UCLA.   He later co-hosted a long running Saturday night oldies radio show in New York and was Music and Entertainment Editor for Reader's Digest, where he created over 300 multi-box sets of music featuring nearly every style and era of 20th Century music.  He's also the author of "The Top Ten" which tells the story of each of the top 10 biggest hits of each year.

I remember "The History of Rock and Roll" as being a holiday tradition at WDNL when I was there in the early years.  The show debuted on Memorial Day Weekend in 1978 on D-102 where it was an instant hit.  I remember one advertising client whom I tried to persuade to advertise on the show, having turned me down, was upset that I didn't persuade him more.  The next time we ran the show....on Labor Day weekend in 1978, he was the first to sign up for sponsorship!

I also remember the "Silver Anniversary" edition of the 52-hour special, which was released in the early 1980's.  I felt at the time the show was not of the quality of the original presentation of 1978.  Gary Theroux explained that a new staff came in and "hacked the hell out of" the original show, adding elements featuring then current artists even though they had no historical significance or should not have been included because they didn't fit the genre as rock artists.  For example, producing an full hour on the "legendary rocker, Dionne Warwick."  Gary goes on to explain that Ms. Warwick was a pop balladeer, and one of the all time best, but didn't warrant being included in the program.  The new version also cut the history of the 1950's down to just one hour of the 52 hour series!

Reel Radio also features a demo of "Solid Gold Rock and Roll" an all oldies format from 1970.  It appears to be the second format after "Hit Parade" developed for automation by Drake-Chenault.  It contains many of the same type of elements of the later formats, but the style of voice overs for the music was considerably different from later examples.  The jingles read, "Solid Gold-Rock and Roll."   This was probably replaced by "Classic Gold" and "Solid Gold" evolved into a mix of oldies and currents.  Many
, if not all of the jingles from the early period were produced by the  Johnny Mann Singers.   You'll still hear the style of many of the Johnny Mann Singer's jingles on many oldie stations today.

It appears that, and has been confirmed by contributors, that Drake-Chenault ownership and managment failed to ride the changing tide of technology and re-direct the format services from being a reel to reel format supplier to that of being a satellite format programming supplier, of which there are several operating today.  What was left of the original company's assets were ultimately absorbed by the Jones Radio Networks.

It's unknown if the orignal "History of Rock and Roll" would be available today.....but I would suggest perhaps a CD set???

To hear an aircheck of "Solid Gold" go to the CHR History page and look under WWTO and WBNQ.

Drake Chenault From the Inside   Here's a wealth of information about "how they did it!" as described by the Director of Engineering at Drake Chenault from 1974 to 1988.  Henry "Hank" Landsburg's narrative of the technical aspect of supplying over 300 radio stations with formats is featured on this site.  There's more to be added including pictures and audio, so check back often for updates!!!  Be sure and return here!

thanks to Denny Adkins, former PD of WBNQ in Bloomington, Illinois and a former President of Drake-Chenault for his contribution!!
thanks to Tim Brown from KGRS in Burlington, Iowa, former D-C station for his contribution.
thanks to Jon Rohrer for his contribution of more D-C demos from the 1970's!
thanks to Gary Theroux for his contribution about "The History of Rock and Roll"!!
thanks to Cliff Rogers for his contribution of music reels from Drake Chenault's "Solid Gold!"


Many thanks to Hank Landsberg, former Director of Engineering at Drake-Chenault Enterprises, Inc. 1974-1988 for sharing his incredible experiences!




Peters Productions

Peters logo


The San Diego based Peters Production’s formats included the CHR format, “The Love Rock” and the beautiful music format “Music Just for the Two of Us.”  Here is  a grouping of stations, using these formats.  "Love Rock" was very similar to Drake-Chenault in sound....basically formatted reel to reels with announcer intros and outros, jingles, position statements, id's, buffers and etc..  I can only assume that the methodology was very similar with deadrolls, "EOM" placement and formatics.  "Music Just for the Two of Us" was a beautiful music format with voiced buffers, no song identification was done.  

Peter's Production's 
"Love Rock" 
WSOY-FM-Decatur(early 80's)
Peters Productions "Love Rock"
WSOY-FM, 102.9FM Decatur, Illinois 
Here is an aircheck from WSOY-FM.  It was recorded during the first day of broadcasting the Peters Productions "Love Rock format.  It's full of errors, miscues, bad timing and an unbelievable bad promotion.  But that aside, you should get the feeling of the format. (see WSOY-FM)

Peters Productions "Love Rock"
Peter's Production's "Love Rock" Demo
Thanks to the contribution of John Rohrer of We B Video of Orlando Florida. KPPI were fictional call letters, standing for Peters Productions Incorporated.  You'll hear some of the same elements on the above aircheck of WSOY-FM.


Peter's Production's
"Music Just For the Two of Us"
WSOY-FM-Decatur(late 70's)
WMDH-New Castle/Muncie, Indiana
               (mid-late 70's
 
 

TM Productions


TM also had a share of automated programming clients and featured “Stereo Rock.”  Here's a grouping of stations, using that format.  It was distinguishable by the grouping of two current selections and the announcer back announcing  the pair of songs, "that was xxxxxx and before that your heard yyyyyy."  It was also a very laid back format and pretty loose.  It was capable of airing on a small automation system, using just two reel to reel sources if necessary.

According to Scott Davis, whose father was a jock with WGY(AM) in Schenectady, New York, he discovered the format as it was on the station's FM sister station WGFM.   He says, "As a music lover, it was great to able to listen to ALL parts of a song uninterrupted, including the intro."  He goes on the describe the format as containing 15 minute segments of music consisting of 2 currents, one oldie and 1 recurrent.   The first stations using the "Stereo Rock" format included KXXY, Oklahoma City and WMAQ-FM, Chicago.  Others included WFBQ, Indianapolis, WSAI-FM, Cincinnati.

The format was conceived for TM Programming by George Burns, of Burns Media Consultants as an "adult alternative" to screaming DJ's, teenage contests, bubble gum music, etc..   The style of the format was one that was more in the "FM tradition" style of presentation, as opposed to the "AM style" of Drake-Chenault and other syndicators.  The "voice overs" were done by long time Dallas area DJ, John Borders.   At it's peak, TM had this format in over 100 markets.

Some of the jingles used were from the TM SR-1, SR-2 and SR-3 series from the mid 70's.   According to Scott, there were different series of tapes, that would change or flavor the format to be more album oriented.  The album oriented tapes would include back announcements with mention of the album the cut was from.

In the 1980's TM Productions merged with Century 21 Programming to form TM-Century.  For a look at TM-Century Productions now visit tmcentury.com.

 

TM's "Stereo Rock" WHBF-FM-Moline(mid 70's)
WMBD-FM-Peoria(mid 70's)
WFBQ-Indianapolis(mid 70's)
WMAQ-FM-Chicago(mid 70's)
 



Peters Productions "Love Rock"
TM "Stereo Rock" Demo
Thanks to the contribution of John Rohrer of We B Video of Orlando Florida. KPPI were fictional call letters, standing for Peters Productions Incorporated.  You'll hear some of the same elements on the above aircheck of WSOY-FM.  Here is a segment of their demo, scoped to decrease the size of the file.

     
Audio Coming Soon   WHBF-FM, Rock Island, Illinois.  This was recorded on November 11, 1975 at Macomb, Illinois.  It's a great example of "TM Stereo Rock."  According to Scott Davis, the jingle series was from the TM SR-1.  The last song on the aircheck "All I Have To Do is Dream" from the Everly Brothers was the only song from the 50's included in the Stereo Rock package.  The oldie "In the Summertime" by Mungo Jerry was from oldie tape number 203(out of 200-222), cut #12.  TM revised these oldie tapes every couple of years.  Cuts #15, Everly Brothers and cut #16 "Popcorn"(not included on this aircheck) were replaced the next year by "The Joker"-Steve Miller Band and "Everlasting Love"-Carl Carlton.

thanks to Scott Davis, a TM Stereo Rock expert for his contribution!!
thanks to Jon Rohrer for his TM Stereo Rock Demo!!



More Music Programming


I don't know much about this one, other than I have a demo from what appears to be around 1975.  The format was called "The Performers" which featured a "like live" format and four different announcers.  Each would have a shift at your station that would run 6-10am, 10am-3pm, 3-7pm and 7pm to midnight.  It was called a "progressive MOR" format and featured contemporary easy listening songs from the 60's and 70's.   It would be called "light rock" today.

The format seems to be similar to TM's Stereo Rock, in that, the currents would be grouped in pairs and voice tracked right on the reels.  There seemed to be more than one way to announce the current two song sets, some were announced at the segue, others would drop in a custom station ID slogan line but each set would end with a back announce.  Each announcer would have his own set of reels, probably dayparted.  Oldies were back announced and would lead into spot sets.  Each jock also did a series of local PSA's which were inserted within spot sets, and custom weather intros, which introduced local announcers with the weather forecast.   There were also customized drops with station ID's for music segues.  It was really not bad as far as achieving a "like live" sound, while being automated.   I'm sure the major drawback of the format was the intense amount of work it required to customize for each station.

I'm not familiar with any stations using the format within central Illinois, or at least within my listening area.  The station on the demo was KASK.

The More Music Productions also did a format called "The Great Hits" which was more similar to what Drake-Chenault was doing with XT-40 or Solid Gold.  The voice overs seemed a little less "stiff" and more energetic.  They also offered several variations, and dayparted examples.

Again, I'm not aware of any local stations running the format.  The station used on the demo was KIOQ in Bishop, California.

They were also syndicators of "The Chronology of American Music" a competitor of Drake-Chenault's "History of Rock and Roll."

If anyone has any information on these formats or any others offered by More Music Programming, I would like to include it here.  Please e-mail me.


More Music "The Great Hits"
Unknown
Still seeking audio......
 

Century 21 Programming


Century 21 Programming, was located in Dallas, Texas and was a producer of radio station jingles, commercial jingles and eventually automated radio formats.  Sometime in the 1980's Century 21 Programming merged with TM Productions to form TM-Century Productions.  They continue to offer radio station imagery packages, as well as commercial jingles.  For a look at TM-Century Productions now visit tmcentury.com


More information was received about the automated formats offered by Century 21 Programming and Productions from Chip Douglas Mosley.  He was an employee during the 1970's for about a year and tells that Dave Scott Blythe was the Operations Director of the company at the time.  Chip supervised the country and "E-Z" formats as well as tape mastering and duplication processes.


The "Z-Format" was created by Dave Scott and Mike Rice for KFMZ in Colombia, Missouri after Mike had a falling out with Drake-Chenault.  (I assume that Mike was a former employee of the D-C??).  Chip worked at KFMZ, and later at KIRL in St. Louis, then at Century 21 in Dallas.


If anyone has anymore information about the company...the format....or any Illinois/Indiana radio stations which programmed any of their formats....please e-mail me at dougquick@dougquick.com


thanks to Jon Rohrer for his Century 21 Z-Rock Demo!!
thanks to Chip Douglas Mosley for his information about Century 21!!
thanks to Cliff Rogers for his contribution of music reels from Century 21's "Z Format" and "AC" format.


Century 21 offered several formats, including "The Z Format" which was a relatively "soft" album format.  It included songs from Seals and Crofts, Lynyrd Skynyrd, Yes, Deep Purple, Cheap Trick, Elton John, Paul McCartney and Wings and Steely Dan.  Pictured above is what Century 21 would feature on the cover of each reel of tape, inside a music list with information about each song, time, intro(for live formats-and talk over), licensing information for BMI/ASCAP reports, etc.  It also included recording information for quality control.  The reels were coded and numbered and scheduled for format control.  Many times, reels from other formats would be intermixed with others in order to daypart the station as to available audience at certain times of day.



Century 21 Programming "Z-Format"
Unknown
Peters Productions "Love Rock"
Century 21 "Z-Format" Demo
Thanks to the contribution of John Rohrer of We B Video of Orlando Florida. Century 21 had a unique demo featuring airchecks of some of their better stations.  It was stated that all of their stations were number one 18-34!  Quite a statement...  Here is a partial scoped version of their demo.
    


Radio Arts

Radio Arts was yet another of the radio syndicators which supplied various formats and programs to radio stations.  The company produced the formats: "American Rock," "Sound 10,""Bright and Easy Country," "Encore" and "The Entertainers."  Radio Arts also produced several weekend features including "Your Hit Parade" which starred Andre Baruch(the original announcer for "Your Hit Parade") and Bea Wain(Andre's wife and former Big-Band era singer) and "The Polka Parade."    Former client services employee of Radio Arts, Chris Edwards worked there for around a year and said it was a treat to have them in the studio for their taping sessions every few days, how much history they both represented in the music business and they were "both the nicest people you could imagine."

Chris Edwards also described the radio formats produced by Radio Arts.  "American Rock" included a 2-thousand cut library, "Sound 10" was the adult contemporary format, "Encore" was similar to the "Music of Your Life" format with MOR standards,  and "The Entertainers" contained several variations which could range from MOR standards to an MOR/soft rock format."  The voice of "The Entertainers" was Ron Russ who was also working at KBIG.  Brian Bierne was the voice of "American Rock" while working at KRTH, Jerry Bishop of KFI/KGIL was the voice of "Sound 10" and Dick Sinclair who also hosted the "Polka Parade" Show was the voice of "The Bright and Easy Country" format.  The company also offered unannounced versions of their music reels, but also offered custom promos, time announcements and other custom production elements for their clients.

The studios were located in Burbank, California at the end of the southbound Pass Avenue off ramp on the 134 Freeway.   Chris admits the company joke about some drunk failing to break and wind up as part of the furniture in Studio B. 

It's unknown how many stations the company serviced or for how long during the era, or what happened to the company.  As far as I know there were no central Illinois format clients, although local Danville, Illinois  AM station WITY ran the "Your Hit Parade" program during the 1980's.

thanks to Jon Rohrer for his Radio Arts American Rock Demo!!
thanks to Chris Edwards, Client Services of Radio Arts for his information about the company!!


Radio Arts "American Rock"
Unknown
Peters Productions "Love Rock"
Radio Arts "American Rock" Demo
Thanks to the contribution of John Rohrer of We B Video of Orlando Florida. I really don't know much about this format....or the syndicator.  If you listen to each of those here on this page, you'll see the obvious difference of quality of each of these formats...   Here is a partial scoped version of their demo.
    


Draper-Blore Radio

Chuck Blore, was a former radio programmer from the L.A. area and was part of the development of live and automated automated radio formats.  Other than that, I've been unable to find any other information about this one-time popular radio format company.  This format was under consideration at WDBR in Springfield, but the kick off automated format ultimately became Drake-Chenault.

This wasn't the case with WDZ and WBNQ.  Both central Illinois stations utilized the "Olde Golde" format for a time.   It's unknown when WBNQ began it's experience with contemporary music automated formats, even though even then it was an "oldie" format.   WDZ began around 1970 airing "Olde Golde."   I was totally new with automated radio at the time, and even though it got my attention with it's "canned" sound, the music selection that was on WDZ included quite a few 50's songs which were unfamiliar to me.   I liked the consistent , jock-less sound of the formatics and the custom jingles, as I had never heard anything like it before.  The format was later replaced by one of local origination which ultimately was better than any automated format in central Illinois for quite a few years.  Check out details on WDZ section of  Area CHR Stations.

WBNQ, on the other hand, left Draper-Blore in either 1973 or early 1974 and went with Drake-Chenault.  Former WBNQ P.D. Denny Adkins, years later, said the format change was made because of quality issues and problems in getting programming updates on time.  When and where Draper-Blore appeared and disappeared to is unknown.  If anyone knows anything about this once prominent radio programming company please e-mail me at dougquick @ dougquick.com.



Draper-Blore Radio "Olde Golde" and others
WBNQ-Bloomington(early-mid 1970's)
WDZ-Decatur, IL(early 1970's)
Peters Productions "Love Rock"
AirChexx.com.  I now send you off this site to AirChexx.com to a page dedicated to Draper-Blore Radio with an aircheck of a selection of D-B stations in the midwest.

thanks to John Fortmeyer for his contribution.
    



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